I make images that look like they belong to another era — until you notice something that doesn’t.
Eyes watching you back across centuries.
Hands holding tension that wouldn’t exist then.
The disruption is the work.
 

I build at the threshold between photography and painting, close enough to each to make you uncertain.
That uncertainty slows you down.
It’s where the real looking begins.
 

Original music runs through everything I make —
not background, but investigation.

I'm trained in music performance and literature. I teach artists to tell stories with AI tools through The House of Curiosity.

My work is moving toward immersive installation, where scale and darkness do what screens cannot.

If you're interested in showing this work, let's talk.